Urdu Calligraphy by Independent Artists

You can buy beautiful Urdu Calligraphy artwork from independent artists. These works are available in a variety of materials, including canvas and wood. Canvas prints have clean, folded edges, while wood pieces have rounded corners and a wood spacer to make them stand out. They are a great way to add a personal touch to your space.

Mohammad Ghalib

Mohammad Ghalib is a master of Urdu calligraphy, who has created some of the finest examples in the history of the form. He studied at the Darul Uloom Deoband University in Saharanpur and calls the art of writing the letters "Jawani ka kaam." The process of writing the letters requires a steady hand and breath control. Often, Ghalib uses a small wooden pen and a special set of ink to create intricate and recognizable designs. He also works on invitations and commissioned pieces.

Mohammad Ghalib has been working in the Urdu Bazaar in Delhi since the 1980s. In the past, he was also the author of several books. However, the popularity of his works has decreased due to technology and the emergence of other art forms. Today, he focuses on producing attractive handwritten works for the digital and print market.

Faraz Khan

Faraz Khan is an award-winning artist who creates unique and striking works of art in Arabic and Urdu script. He combines art and science, creating new forms of expression from the language and its symbols. His classes are open to students of all ages. All materials are provided. Register early; space is limited.

The Arts Council of Princeton University has named Khan 2015 artist-in-residence. He will lead seven events in Princeton during the residency. At each of the events, Khan will demonstrate his unique contemporary take on Arabic calligraphy. During the workshops, Khan will teach participants to write their own names in Arabic. He will also display pendants in Palmer Square. The pendants feature the calligraphy of the Canticle of the Birds, an illustrated manuscript of a Sufi text. The original copy of the Canticle is housed at the Metropolitan Museum of Art.

Dagar

Dagar Urdu Calligraphy is a highly-acclaimed pictorial art form. Dagar uses both Urdu and Hindi scripts to create her works. She has dedicated herself to the preservation of the art form, which dates back to ancient times. Dagar is a member of the renowned Dagar family of musicians and calligraphers, and her works are on display in museums and private collections throughout India.

The ancient art of calligraphy originated in India, which was home to many other ancient scripts. The earliest calligraphers used to transcribe the Quran verses, which were pious in nature. It is believed that calligraphy was an important way of preserving the teachings of Allah. Dagar, a resident of Khel Gaon, Mumbai, is one such calligrapher, who is committed to maintaining this art form.

Hassan Massoudy

Hassan Massoudy is a well-known and widely collected artist whose work can be found in several museums and private collections worldwide. His work is inspired by love poems from the Arab and Islamic worlds. He has been exhibiting his work for more than 30 years and has had many works displayed in major museums and galleries.

Massoudy studied classical Arabic calligraphy during his early years in Iraq and went on to operate a calligraphy studio. Later, he moved to Paris to study art. There, he developed his signature style, a unique combination of traditional Arabic calligraphy and ideas from Europe and East Asia.

Ghaffar

Previously, speaking Urdu was a requirement for jobs in the government. Even candidates for army and police posts were expected to have a working knowledge of the language. But speaking Urdu is considered anti-national by multiple sections of Indian society. In 2016, multiple publishers of Urdu-language publications were required to declare their 'fealty' to the language. Nevertheless, Gaffar fought to make Urdu calligraphy an essential part of the school curriculum.

Ghaffar is one of the last surviving calligraphers in Hyderabad, and he's determined to keep the art alive. The school he runs is the oldest Urdu calligraphy school in the country. It was founded in 1938 under the patronage of Osman Ali Khan Bahadur, the ruler of the erstwhile State of Hyderabad. The mighty man also supported the development of Urdu in the administrative quarters.

Nasta'liq

Nasta'liq Urdu Calligraphy is a form of cursive calligraphy that originated in Mughal India. Its style has a rich legacy throughout South Asia. The Taj Mahal in Agra features a brass tablet with the name of its calligrapher, Babur, inscribed onto it. The Mughals were also known for their use of calligraphy in their works.

After the Islamic conquest of Persia, the Iranians adopted the Perso-Arabic script. This style was later used by other Islamic countries, as well as by Persians. In the 14th century, Mir Ali Tabrizi developed a style known as Nasta'liq. Originally named Nash-Ta'liq, the style was later changed to Nasta'liq, which means abrogated Ta'liq.

Tughra

The style of the calligraphy of the Tughra is unique among Islamic calligraphy styles. It is handwritten and digitally colored and then printed on high-quality matte paper or canvas. The intricately designed script challenges the eyes. It is used in a wide range of applications, from Islamic calligraphy to Islamic painting.

The tughra was first used as an official seal and logo by the Ottoman Sultans for their Farmans in the thirteenth century. It was later used as a decorative feature on Islamic buildings. The tughra became an iconic style. The tughra's design is composed of phrases, short prayers, and geometric figures.